Download Action Writing: Jack Kerouac's Wild Form by Michael Hrebeniak PDF

By Michael Hrebeniak

Action Writing: Jack Kerouac's Wild Form connects the non-public and artistic improvement of the Beat generation's recognized icon with cultural alterations in postwar the USA. Michael Hrebeniak asserts that Jack Kerouac's "wild form"—self-organizing narratives freed from literary, grammatical, and syntactical conventions—moves inside an experimental continuum around the arts to generate a Dionysian feel of writing as uncooked technique. Action Writing highlights how Kerouac made concrete his 1952 intimation of "something past the novel" via assembling principles from Beat the USA, modernist poetics, motion portray, bebop, and subterranean oral traditions.

Geared to students and scholars of yank literature, Beat experiences, and artistic writing, Action Writing areas Kerouac's writing in the context of the yankee artwork scene at midcentury. Reframing the paintings of Kerouac and the Beat new release in the experimental modernist and postmodernist literary culture, this probing inquiry bargains an instantaneous engagement with the social and cultural heritage on the foreground of Kerouac's occupation from the Forties to the past due Sixties.

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Extra info for Action Writing: Jack Kerouac's Wild Form

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A totality of machines—human, economic, political, military, education” (), Kerouac experiments by living under different social and religious systems—a legacy of the  Congress of World Religions in Chicago, where a number of heretical movements were introduced into the United States. This reinforced the impact of the Indian Vedic tradition that nurtured the Transcendentalists and seeded an interest in Chinese T’ang dynasty haiku that informed early modernism, the two major strands of Eastern influence on the nation’s writing.

22 dionysus descends The whole thing forms one enormous comedy, seen through the eyes of poor Ti Jean (me). (BS ) However, unlike the work of Balzac and Wolfe, Kerouac’s sequence trades linear organization for a more adventurous principle of fictive overlay. Recurring events are superimposed to build a series of themes and variations neutralizing a single career narrative: a hypertext of many narratives and selves with each book a ratio within the whole. In the case of Visions of Cody, this principle is internalized within a single novel: The final scope of the Legend will be simply a completely written lifetime with all its hundreds of characters and events and levels interswirling and reappearing and becoming complete, somewhat a la Balzac and Proust.

Intelligence is only the capacity for understanding at high tension, and in every Culture these heads are the types of its final men—one has only to compare them with the peasant heads, when such happen to emerge in the swirl of the great city’s street-life . . the sensed beat of life—through the city-spirit to the cosmopolitan intelligence. . Tension, when it has become intellectual, knows no form of recreation but that which is specific to the world-city—namely, detente, relaxation, distraction.

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