By Nicole Rafter, Michelle Brown
From a glance at classics like Psycho and Double Indemnity to contemporary motion pictures like site visitors and Thelma & Louise, Nicole Rafter and Michelle Brown convey that criminological concept is produced not just within the academy, via scholarly study, but in addition in pop culture, via film. Criminology is going to the Movies connects with ways that scholars are already pondering criminologically via engagements with pop culture, encouraging them to exploit the typical international as a car for theorizing and figuring out either crime and perceptions of criminal activity. the 1st paintings to carry a scientific and complex criminological standpoint to endure on crime motion pictures, Rafter and Brown’s booklet offers a clean means of taking a look at cinema, utilizing the ideas and analytical instruments of criminology to discover formerly not noted meanings in movie, finally making the examine of criminological concept extra attractive and potent for college students whereas concurrently demonstrating how theories of crime stream in our mass-mediated worlds. the result's an illuminating new manner of seeing videos and a pleasant approach of studying approximately criminology.
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Additional info for Criminology Goes to the Movies: Crime Theory and Popular Culture
The research of both involved body parts and experimentation. Henry’s laboratory is full of scientific trappings such as glass retorts and specimens in jars, just as Lombroso’s books are full of tables, medical terminology, and diagrams of brains. Moreover, they share the scientistic belief that only natural science methods can yield knowledge about the causes of crime. Although Fritz is but a minor character, he is key to both the plot and Frankenstein’s message about biological criminality. Amoral, animalistic, imbecilic, Fritz is a degenerate.
Dietrichson’s daughter, Lola, who, late in the film, reveals to Neff that she suspects that Phyllis has murdered her mother as well as her father. She also suspects that her boyfriend, Nino Zachetti, has been seeing Phyllis. Jackson, the eyewitness, testifies that the person he saw was much younger than the real Dietrichson. Finally, Barton Keyes (Edward G. Robinson), Neff ’s associate, friend, and recipient of his confession, simply cannot let the case go. Keyes, a stand-in for Neff ’s conscience, shares Beccaria’s dim view of human nature, although he is at first blinded to what is going on by his affection for his colleague.
Perhaps the best known of these psychologists is Terrie E. 25 While the new biological research on criminal behavior does not yet play a central role in explaining crime, it is being developed in multiple ways and is likely to thrive in the decades ahead. Those who oppose it most vociferously often do not realize that today’s biocriminologists reject the old-fashioned biological determinism of forerunners such as Lombroso and the false dichotomies of the old nurture-versus-nature debates. ” | 35 is a result of interactions between biology and environment, “nature” and “nurture,” and while they hold that biological makeup affects the individual, they do not argue that biology operates in a vacuum to determine who we become.