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But Preacher’s biggest weakness is a big one. What might’ve been controversial in the comic—the sex, the language, the blasphemy—can feel like empty provocation. The prostitutes are so one-dimensional they don’t even get names, and their story is especially uninspired at a time when every other “edgy” drama has a brothel subplot. Worse, the central crisis of faith can be just as basic. Custer delivers what’s supposed to be a thought-provoking sermon, but it’s filled with truisms about how a 55-inch flat-screen TV won’t save your soul.

Sandwiched between Quick Change and Groundhog Day, this comedy was part of Murray’s second golden age. B+ 3 *Hudson Hawk $ 7 . ” Wanna bet? Putting aside the tagline’s butchered grammar and Bruce Willis’ narcoleptic performance, this mess remains the Ishtar of the ’90s. D– 6 *Only the Lonely $ 5 . 9 M John Candy goes full Borgnine-inMarty as a wallflower wooing Ally Sheedy against his mother’s wishes. Talk about sexy! Amazed this one even managed to edge out Drop Dead Fred. C O M M AY 2 7, 2 0 1 6 Don’t remember this gem?

I admired her strength all the way through. Are there any parallels between Mary Thorne and Downton’s Mary Crawley? They’re both strong women. One of the things about periods is that women were so circumscribed—there were endless rules. But of course, there were clever women who wanted to have good lives, get around the rules, and find ways of expressing themselves. With all those Brits, why cast Alison Brie as the wealthy woman to marry? In the book, Miss Dunstable is English, but it would’ve been harder to dramatize her as an outsider if she was English.

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