By Alexander Levitsky
A consistent thread woven during the historical past of Russian literature is that of delusion and an get away from the boundaries of realism. Worlds Apart is the 1st single-volume anthology that explores this interesting and dominant topic of Russian literature--from its origins within the provincial folks story, via its emergence within the Romantic interval within the stories of Pushkin, Lermontov, and Turgenev, to its modern incarnation below the clouds of authoritarianism, revolution, mechanization, and modernization--with all-new translations of the most important literary masterpieces that show the intensity and ingenuity of the Russian mind's eye because it advanced over a interval of tumultuous political, social, and technological upheaval.
Alexander Levitsky, maybe the world's most effective professional in this style, has chosen and supplied attractive and informative introductions to the choices that at the same time symbolize the works of Russia's top authors and show the dominant topics of her heritage. The authors diversity from universal figures--Pushkin, Lermontov, Turgenev, Gogol, Dostoevsky, Bulgakov, and Bely--to writers virtually unknown outdoors the Slavic international resembling Derzhavin, Bulgarin, Kuprin and Pilniak.
Worlds Apart is an awe-provoking anthology with a compelling charm either to the myth fanatic and a person with an abiding curiosity in Russian heritage and culture.
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Additional info for Worlds Apart: An Anthology of Russian Fantasy and Science Fiction: An Anthology of Russian Science Fiction and Fantasy
The great majority of futuristic fiction at the time featured the fantastic adventure story in the form of a scientific or pseudo-scientific romance. This trend was heralded by Alexei Tolstoy's Aelita, a humorous return to the Martian theme begun in Russia by Bogdanov. Perhaps for its description of love affairs with blue-skinned Martian women, the novel was an instant success and served as a model for the adventure-type science fiction prevalent in those years, particularly the so-called Red Detective (Krasnyi detektiv) popular in the second half of the twenties.
6. The coining of the word robot is, in fact, attributed to his brother-collaborator, Josef, who is supposed to have derived it from the Old Czech (Church Slavic) word robota, which meant menial or hard toil. Russian Early-Modern Fantasy and Utopian Thought 47 As if the magic of these visions was not enough, Vasilisa must still face laba Yaga~ entry into the plot, accompanied by the usual paraphernalia surounding the witch's dreadful persona: terrifying noises resounding through the voods, trees crackling and dry leaves rustling as she herself appears riding in a Ilortar, which she prods on with a pestle, sweeping up her tracks with a broom.
Instead he sank into Mother Damp Earth up to his knees And couldn't move. " He then implored his horse: "Hail to thee, my faithful bogatyr steedl Now come and save your master. " He took hold of the gilded girth and held fast by the silver stirrup. His mighty steed then strained and pulled Svyatogor Out of the damp sinking earth. focal point. Nor does the earthy Russian bogotyr much resemble a Lancelot or a Galahad. Bogatyrs like I1yia of Murom and Aliosha Popovich protect Rus from foreign invaders and monsters, and occasionally from native enemies like robbers and brigands.